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The mid to behind 1950s and early 1960s saw numerous costume adventure series produced in England and exported to the United States, series like “The Adventures of the Scarlet Pimpernel,” “The Adventures of Robin Hood,” “The Adventures of Sir Lancelot,” “Ivanhoe,” “William State” and “Sir Francis Drake.” In the wake of the successful series “The Adventures of Robin Hood,” the same production company, Sapphire Films, made “The Buccaneers” for the 1956-57 season on CBS. “The Buccaneers” focuses on the exploits of reformed pirate Dan Tempest and his crew as they support Lt. Beamish, the acting governor of Unusual Providence, a little British colony in the Caribbean. Robert Shaw, perhaps best remembered for his portrayal of “Quint,” the doomed shark hunter in “Jaws,” portrays Captain Tempest. Like “The Adventures of Robin Hood,” “The Buccaneers” was produced for a juvenile audience but thanks to some reliable writing and acting, adults can be pleased this fun adventure series. Spy for guest stars like Joan Sims and Sidney James from the “Carry On” movie and TV series, Hazel Court of Hammer Films fame, and even future film director John “Midnight Cowboy” Schlesinger makes an early acting appearance.
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Following on the heels of their two previous classic TV releases (the 1954 version of “Sherlock Holmes” with Ronald Howard and “Victory at Sea,” the early 1950s World War II documentary series), Mill Creek Entertainment offers all 39 episodes of this challenging series. Given the coarse selling imprint for this release, I had grievous expectations for this DVD plot, but was very pleasantly surprised at the visual quality of the episodes. These episodes are very arrive the quality that one would examine for a classic TV release from a major studio. There are some very minimal film specks and an occasional tape roll but, on an overall basis, Mill Creek has more than exceeded my expectations for this 50 year feeble series (”The Buccaneers” began U.S. broadcasts in September of 1956) . There are 13 episodes included on each of three single-sided, dual-layered discs, but the transfers are very solid; I’ve seen no indispensable issues regarding compression or digital breakup on the episodes. Unfortunately, the Mill Creek Entertainment logo appears twice for about 15 seconds in each episode; it’s not too distracting and is the only proper negative for this release.
There are a couple of entertaining notes on “The Buccaneers” and this release from Mill Creek Entertainment. In episode #9, titled “The Ladies,” Robert Shaw is heard singing “Farewell and adieu to you, gorgeous Spanish ladies. Farewell and adieu, you ladies of Spain . . .” Shaw would reprise this very same tune 19 years later in “Jaws.” Shaw also returned to the genre in the 1976 film “Swashbuckler.” Mill Creek incorrectly describes “The Buccaneers” as being television’s very first pirate series on the relieve of the DVD box. That’s not correct; “The Buccaneers” was produced in 1956 whereas “The Adventures of Long John Silver” (with Robert Newton reprising his signature role from two theatrical films), was produced in Australia in 1955 for syndication in the U.S. and England. It was Australia’s first television production (it wasn’t even shown there for a few years until the country had a nationwide feed) and was filmed entirely in color. Mill Creek has included 14 (of 26) episodes of this series in “The Ultimate Pirate Collection” which Amazon also sells.
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For fans of classic TV and costume adventure series from the 1950s, I can easily recommend “The Buccaneers” . . . five stars and a hoist of the Jolly Roger!
Nearly 50 years before Jack Sparrow there was The Buccaneers.
I loved this series when I was 10. Allowing for the technology of the time, it’s unruffled a fun note, with valid dialogue and friendly acting. Camera work is generally tight and the sets don’t shake.
I am peaceful in appreciate with Lt. Beamish, and the wary relationship he and Tempest form. But after watching and rewatching 50 years later, I glean Hammond’s Beamish is the best character in the exhibit. Certainly the most developed one. (And this end to drop-dead fine) . Shaw was radiant remarkable playing himself. But Hammond fleshed out what was essentially a comedy relief role of a naive bumbler with authority figure issues into someone with dependable grit underneath, added the touchstone orf “King and Country”, honor and friendship, and went toe to toe with Shaw’s ego and came out dull even or sometimes ahead.
The ad-libs and one-upmanship in this stale series are unprejudiced a tickle. I have no thought of what the professional relationship between Shaw and Hammond was, but the two characters really click.
Pity that Beamish disappears after episode 26. The note loses some spark as Tempest has no one to really bounce off of. Beamish was the only one who butted heads with him.
This is a Broadway musical waiting to happen. Someone please expose this to Mel Brooks!
A terrific Yo Ho.
And thigh-high leather boots. . . .
One year later:
not only has it held up well and Beamish is as endearing as I remember, I actually managed to locate and contact the actor - Peter Hammond - who portrayed this savory character.
After several phone conversations, he’s 85 and exquisite and charming, he barks and bites, he’s coy and brilliant and a broken-down curmudgeon all in a clean grandfatherly package.
memories don’t approach better than this. If I had met him when I was 10 I would have been struck expressionless and brain-dead.
It’s fabulous to me the number of “official” media reviews of this ancient present I read that dismiss the Beamish character as a nearly total git when I am seeing the character evolve and former. And I reflect that had to be Hammond’s doing.
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